Fornax - Swallows of Bannes - From Bannes to Bali

Sentence to think about : Qu'on le veuille ou non, on finit toujours par dire « oui » à la mort. Soulignac

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CLS typo

CLS'S PROFESSIONAL
WEBSITE

Last posts

Casses

Interlude:
the ship case

—♦—

CLS's workshop
(videos)

General catalog

Authors
- • Authors A-Z
- • Illustrators A-Z
- • Publisher - CLS
Chronological
- • 1977 (1-12)
- • 1978 (13-23)
- • 1979 (24-27)
- • 1980 (28-39)
- • 1981 (40-52)
- • 1982 (53-64)
- • 1983 (65-74)
- • 1984 (75-97)
- • 1985 (98-114)
- • 1986 (115-120)
- • 1987 (121-127)
- • 1988 (128-134)
- • 1989 (-)
- • 1990 (135)
- • 1991 (136-138)
- • 1992 (139-144)
- • 1993 (145-153)
- • 1994 (154-163)
- • 1995 (164-172)
- • 1996 (173-188)
- • 1997 (189-194)
- • 1998 (195-196)
- • 1999 (197-201)
- • 2000 (202-206)
- • 2001 (207-213)
- • 2002 (214-220)
- • 2003 (221-224)
- • 2004 (225-226)
- • 2005 (227-229)
- • 2006 (230-231)
- • 2007 (232-237)
- • 2008 (238)
- • 2009 (239-247)
- • 2010 (248)
- • 2011 (249-251)
- • 2012 (252-255)
- • 2013 (256)
- • 2014 (257)
- • 2015 (-)
- • 2016 (258-260)
- • 2017 (261-263)
- • 2018 (264-269)
- • 2019 (270-273)
- • 2019 (274-276)
- • 2021 (277)
- • 2022 (278-280)
Collections
- • List
- • On sale
Des barbares...
- • Introduction
- • André Laurie: A novel in the planet Mars
- • Éric Dussert: L'Alambic (the Still)
- • André Laurie: Spiridon the dumb
- • André Laurie 2009 seminar
- • Conan Doyle: A Night Among the Nihilists
- • Marc Michel: Pohol
- •
- • Typographer women 19th century
- • Typographers 19th century

Typo and around

Ateliers typo
- • Imprimerie d'Alsace-Lozère
- • L'Arbre et l'Impatiente
- • Format typographique
- • Atelier La Feugraie
- • La Maison de l'imprimerie
- • Atelier de Saint-Maur
- • Sergent-Fulbert
Biblioteratology
- • 1. Chez les brocheurs [1]
- • 2. Chez les éditeurs[1]
- • 3. Chez les relieurs [1]
- • 4. Chez les relieurs [2]
- • 5. Chez les éditeurs [2]
- • 6. At the readers [1]
- • 7. Chez les éditeurs [3]
- • 8. Chez les éditeurs [4]
Entertainments
- • Greetings cards
- • Singular pairs
- • Post-concours
- • Streets names
- • Food poetry
- • Swallows of Bannes
Fin-de-Siècle
- • Au Balcon
- • Cœur féroce, cœur tendre
- • Curiosités rachildiennes
- • Retoqué de Saint-Réac
Fourneau and Fornax
- • Quotations
- • Green Fornax (French)
- • Fornax's geography
- • Landru [French]
- • Laucou on the radio
- • Neo Noe
- • La Page de sable
- • De sycope
- • The Cotillon system
- • CLS's workshop (videos)
- • Fourneau's print marks
Meetings
- • Dominique Autié (1) Toril à Paris
- • Dominique Autié (2) la feuille Toril
- • François Caradec
- • Fernand Combet
- • Robert Giraud
- • Pierre Gripari
- • Jean Le Mauve [French]
- • Jean-Hugues Malineau
- • Pierre Voisin
Printings
- • Chromolithography
- • Chromotypography
- • Lakhanography
- • Printed shortbread biscuit
Type case
- • Chapter 1
- • Chapter 2
- • Chapter 3
- • Chapter 4
- • Interlude
Typography
- • Fonts
- • The workshop's tools
- • Punctuation
- • Streets typography

Fornax- Infos

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Swallows of Bannes - From Bannes to Bali

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The Swallows of Bannes

Volatile music
for a strange bird

Martine & Philippe Cathé

II - From Bannes to Bali

Or the utility of the rule and the diapason,
which is no longer to prove for an ethereal journey

The position of birds on the wires supplied the rhythm - established after millimetre -length measure - and the melodic line of the main element. The rhythmic digital matrix gave a melodic non-octaviante scale from the grave B flat, who was imperative. The wires saw confiding successively four joint degrees of the scale according to the various thematic entrances organized around poles connected one another.